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Podcast #2 is up now, simply go to:
feed://glambone.mypodcast.com/rss.xml

or you can access it directly from the podcast page at:

http://glambone.mypodcast.com

Podcast 2 (St. Valentine, Shark Island, Snatch)

Podcast #2 of Glambone kicks things off with
St. Valentine (pictured here). The L.A. band originally formed in 1984 with its melodic
keyboard-tinged glam rock. The band would share stages with everyone in the day from Poison to G’N R, to Jetboy and D’Molls.
Eventually the band would be produced by Dana Strum, bringing in his former proteges Sweet Savage to chime in the vocal department,
along with Mark Slaughter, Jeff Scott Soto and Rik Fox. Before that
recording session came to be, we go back pre-Strum to bring you the
track “L.A. Is My Home.”

Perhaps Dana was trying to find the next Randy Rhoads, or compete
with Jon Bon Jovi in looking to discover and cash in on his next
discovery. The Florida band Rated X would be his next studio side
project. Before the band ditched their singer and headed to L.A.
where they filled the vocal spot with now country singer Rick Monroe,
Rated X had all the goods. The looks and the commerial radio ready
songs that surely made Vinnie Vincent cream all over. Once again
Dana would flex his ability to bring in guest stars on the recordings.
Poison, Slaughter all laid down some vocal pipe, but with half the
record in the can, egos would flair and that version of Rated X was
over before it got off the ground.

In 1982 a band known as The Sharks emerged with the release of the
LP “Alter Ego.” Years later changing the name of the band to Shark
Island. Not one to wait around for the people to come to them, the
band put out another independent record in 1986 titled “S’cool Bus.”
From that release we listen to “Excess Marks The Spot.” A song full
of attitude and swagger, that could only have come out at that time.

We are joined for an exclusive interview with Marc Carmona from the
legendary east coast band Snatch. Much curiousity still surrounds
this quartet of Kiss/Van Halen loving teens, notorious for releasing
their own vinyl EP in 1985 by the title of “If The Party’s In Your
Mouth... We’re Coming.”
As Marc stated, “it ended up paying off well as obviously it kinda
brought the hype up to an even different level with the title. We put
an ad in Circus Magazine for one month when the EP came out, and I
remember going to the p.o. box to see if we got any mail and literally
the post guy had to go to the back and came out with 5 buckets of
mail.”

Podcast 2 cont.

I myself can remember as a kid still in elementary school going to the
record store with a friend over the weekend and seeing the stack of
new arrivals. With only enough cash in pocket to buy one record, I
picked up the Snatch EP only to find my friend caught somewhere
between hysterics and horror. “You’re not gonna buy that, look at
them!” I opted for Metallica’s “Master Of Puppets” instead. And from
that day on, never saw the record in stock anywhere again, but more
importantly never listened to outside opinions in swaying my
decisions either, especially when it came to what to listen to. You
wont find a copy of “Master Of Puppets” on Ebay for a hundred bucks,
I’ll tell you that. And thankfully I’m not here interviewing Lars about
how much his modern art collection fetched at Sotheby’s or whatever
other garbage that spews from his mouth.

So let’s continue on as we take a look at the post-Snatch band,
Gypsy. In 1987 the guys (minus Petey) forged ahead with a new
singer and packed it up to move to L.A. The featured song on the
podcast is “I’ll Never Let You Cry.”

As we learn ex-Snatch/Gypsy guitar player Paul Reeves now fronts
the country duo, Fanny Grace (pictured to your right).
www.myspace.com/fannygrace

Gazzarri’s answer to Joey Tempest/John Norum’s Europe finds us
checking out a track from L.A.’s New Haven. From 1988, closing the
show with “Can’t Let You Walk Away.”

Podcast #1 of Glambone

Podcast #1 of Glambone is now online for your ear pierced hoop ring loving pretties.

You can hear it now at:

http://glambone.mypodcast.com

Intro/part 2

With bass player turn guitar player Aeriel Stiles on board the Kery Doll-->

line up, Doll had a catalog of songs that combined rawness with pop sensibility. These songs would later surface on a debut record by the band Pretty Boy Floyd, who put their anthem stamp on these classics, but

shunned writer Stiles from receiving any album credit that would later result in the first of additional lawsuits that plagued PBF, also including the legal rights to the band name which was registered already to a Canadian outfit.

We visit "Restless" from the Floyd pre-album demo that featured the original 4 some.

Journey to Sherman Way with a flashback to the Country Club in Reseda for a sold out show with Poison. Bret proving his raps were worthy of competing with the likes of David Lee Roth and

Paul Stanley even back then before setting foot on arena stages.

The podcast closes with Plain Jane, Jani Lane & Steven Sweet's pre-Warrant band. Songwise,

Plain Jane had many gems such as "Rock Me" "Heartbreak City" that if smart should've seen the light on Warrant records, or even revised now for future projects. Lord knows Jani needs all the help he can get now.  SOLA....er...(cough)....SOTU isn't quite cutting it.

Until next time my pretties....

Intro/part 1 (Blackie Lawless, Pretty Boy Floyd)

Hello my pretties ;) 

Glambone here, your mantron rebel, sprinkling glorious doses of ear delights.

We start December off with our first Glambone Podcast for you to salivate over.

In this episode we take a ride on the glitter carousel long before stumbling upon the sawblade cup piece, we have Blackie Lawless' post-Sister band, Circus Circus.

Following is an L.A. band called Circus. Notorious for living off daddy's money and could always be seen driving their Corvettes down the sunset strip. 1991 saw the debut of this band on the scene, where they took out full page ads in every local music rag promoting thier ill-attended

shows.  Pictured to your left is lead singer Tanzel, who's voice is rather uncanny to Dean Davidson of Britney Fox.

Next up is Kery Doll. After his stint with power pop group Rise, Kery remake/remodeled himself as the shock rock king of LA glam rock circa '83/'84.  Seeing that the hard edge of Crue and Wasp is what fancied everyone at the time, Kery would make hand made explosives and flashpots for his ultimate stage show, complete with him arriving in a casket.  Years later knock off bands like Fatal Attraction, and Halloween would try similar approaches, taking a page out of the Kery Doll book.